by bartmann | Apr 4, 2024
Forget the rose-in-the-mouth cliché, and discover how tango relates to art, activism, and even therapy. We will analyze films, advertising, theater, poetry, art, documentaries, material culture, digital art forms, and public protests to examine the production,...
by bartmann | Apr 4, 2024
The youthful interests of Friedrich Nietzsche permeate his later work, for which the critical-creative writer is most widely known. We will first consider his early experiences, memories, illustrations, piano compositions, poetry, and prose, including his first major...
by bartmann | Apr 4, 2024
Join University of Arizona Regents Professor David Soren for a survey of the life and work of four great directors. First up is Fritz Lang whose collaboration with wife Thea Von Harbou led to the recently fully rediscovered science fiction epic Metropolis. Next the...
by bartmann | Apr 4, 2024
The city has been the motor of progress in modernity and the crucible of many of the social movements that have contested the darker underside of the modern. This seminar will explore how cities came to reside at the center of the modern project, how they have been...
by bartmann | Apr 4, 2024
There Is Nothing Like a Dame! celebrates the women of Broadway who wrote the scripts, composed the songs, penned the lyrics, designed, directed, choreographed, and starred in classics of the American musical theater. The seminar introduces the women of the Golden Age...
by bartmann | Apr 4, 2024
In this cultural excursion we will explore literary and artistic highlights of the diverse cultures that have flourished in the concise landmass of ancient Anatolia (modern Turkey) —Paleolithic and Neolithic habitation, Hittites, Amazons, Assyrians, Hebrew Biblical,...
by bartmann | Apr 4, 2024
In four sessions we will look at works of art music from each of the decades of the latter half of the twentieth century. Our focus will be on the act and art of listening, and how to know what to listen for. We will explore the qualities of the music itself and...
by bartmann | Apr 4, 2024
The detective tale, born of the work of Edgar Alan Poe and altered by Dashiell Hammett, evolved over time in the hands of international masters such as Jorge Luis Borges, Manuel Vázquez Montalbán, Andrea Camilleri, and Donna Leon. Our examination helps identify the...
by bartmann | Apr 4, 2024
The role of tribal governments within the United States is not well understood, largely because most schools do not teach it. This course is designed to fill that gap. Each class will explore a different aspect of how tribal governments fit within the federal system....
by bartmann | Apr 4, 2024
Jane Austen’s portrayals of Regency England’s provincial life provide fascinating commentary on social and economic issues as well as the characters’ psychology and emotional lives. Throughout this class we will attend to the ironic presentation,...
by bartmann | Apr 4, 2024
How did our globalized economy and international culture come to be? The “Rise of the West” idea has long suggested something innately superior about “Western civilization.” But there are better grounded ways than appeals to cultural or racial superiority to explain...
by bartmann | Apr 4, 2024
This course examines the issues, artists, and theories surrounding the rise of Postmodernism in the visual arts from 1970 into the twenty-first century. We will explore the emergence of pluralism in the visual arts against a backdrop of the rise of the global economy....
by bartmann | Apr 4, 2024
Ludwig van Beethoven was one of the great masters of the Classical and Romantic eras in music, and no genre summarizes his achievement better than the string quartet. This course will examine 16 works spread evenly throughout his early, middle, and late styles. The...
by bartmann | Apr 4, 2024
Berlin, capital of the Weimar Republic between the two World Wars, was one of the most exciting cities in Europe–the place of the most radical experimentation in the visual and performing arts, in mass entertainment and theater, in literature and architecture....
by bartmann | Apr 4, 2024
Dante’s 700-year-old masterpiece the Divine Comedy still attracts great attention. For centuries readers have been drawn to his vivid description of the afterlife. This course will explore the first portion of the Divine Comedy, Inferno, in its entirety. The...
by bartmann | Apr 4, 2024
This course examines the fundamental issues and theories surrounding the art production and reception of Modern Art in Europe and America through the twentieth century. Framed by discussions of Post-Impressionist painting of the 1880s and the Post-Modern pluralist art...
by bartmann | Apr 4, 2024
The Dance—as Homer named it—is always an expression of the ideas, traditions, and values of the society that creates it, whether spiritual, recreational, or artistic in form. The body in motion is both the mode of expression and the meaning of the Dance. In this...
by bartmann | Apr 4, 2024
One of the most popular and beloved novelists in the English language, Jane Austen wrote novels that have beguiled and challenged readers for two centuries. For some, Austen is our beloved Aunt Jane, chatting with us about tea parties, excursions in pony phaetons, and...
by bartmann | Apr 4, 2024
The tragicomedy genre, so prevalent in our day, has actually been evolving for many centuries. While one can take a primarily aesthetic approach to any genre–what makes comedy comedy?–here we will include a fuller consideration of history, stressing the...
by bartmann | Apr 4, 2024
This seminar will examine mysterious moments, ancient and modern, which have come to the fore in humanity’s quest to understand our place in the cosmos. We begin in prehistory, where from the oldest humans we have evidence of sophisticated astronomy. How much did the...
