by bartmann | Jul 7, 2026
Few genres have proven as enduring or adaptable as detective fiction. From its nineteenth-century origins to its contemporary reinventions, the literature of detection continues to captivate readers while constantly reshaping its own rules. This course explores both... 
by bartmann | Jul 7, 2026
Shakespeare’s great tragedies continue to challenge readers with their psychological depth, poetic power, and enduring insight into the human condition. This seminar explores three of his masterpieces, Julius Caesar, Macbeth, and King Lear, each tracing the rise... 
by bartmann | Mar 5, 2026
This six-week seminar examines the often-overlooked contributions of women writers to the Bildungsroman—or novel of development—in the Hispanic world. Focusing on landmark works from Spain and Mexico, the course explores how female protagonists come of age amid the... 
by bartmann | Jul 14, 2025
What can travel writing reveal about identity, power, and place? This seminar explores how the Balkans—a region shaped by empire, migration, and resistance—have been imagined through the eyes of foreign travelers from the Ottoman era to the present day. We’ll examine... 
by bartmann | Jul 14, 2025
We regret that this course will not be offered this fall, and we apologize for the disappointment. We warmly invite you to join us in one of our other Fall 2025 seminars, each offering the same spirit of discovery, community, and world-class teaching that defines the... 
by bartmann | Jul 14, 2025
What does it mean to live authentically in a world without fixed answers? This seminar explores existentialism as both a philosophical inquiry and a literary tradition. Through readings and discussion, we’ll trace existentialist thought from 19th-century roots to its... 
by bartmann | Jul 14, 2025
In this course, we will explore the ancient Roman conception of desire (amor) as a problematic and perilous emotion. An examination of fascinating philosophical and poetic literary sources will introduce us to a range of important Roman authors and their unique... 
by bartmann | Mar 12, 2025
Russia has never gotten Pasternak’s Dr. Zhivago out of its system. This course will take us deep into the most controversial novel written during the Soviet era. Tolstoyan in its sweep, Dr. Zhivago is a stunning indictment of the system that attempted to engineer... 
by bartmann | Mar 12, 2025
The short story is a meticulously structured literary form that requires discipline in its plot and structure. In science fiction, this format pushes boundaries by integrating groundbreaking scientific and technological advancements crucial to the narrative. This... 
by bartmann | Mar 12, 2025
This course focuses on East European, Russian, and Soviet science fiction and fantasy, with readings drawn from the nineteenth century through the present. We will discuss these works as both anchored in their particular cultural-historical circumstances and also for... 
by bartmann | Oct 10, 2024
This course will explore four contemporary novels by four women authors inspired by Homer’s two great epics The Iliad and The Odyssey. Inheriting an almost 3000-year-old literary legacy, the last 25 years have seen an astonishing profusion of Homer-inspired creative... 
by bartmann | Oct 10, 2024
Unlike comedy and tragedy, the history play was a recent form when Shakespeare turned to it. Depending on the play’s historical sources, the plot could follow either a tragic or a comic pattern and conclude either in resolution and triumph or in conflict and defeat.... 
by bartmann | Oct 10, 2024
This seminar will be taught by several professors in the Department of German Studies. Classes will focus on areas of each professor’s expertise and range from the Middle Ages to contemporary German literature, culture, and language. Key topics include medieval... 
by bartmann | Oct 10, 2024
This course delves into the divergent perspectives of America as depicted by Edward Hopper and Norman Rockwell. Rockwell captures the nation’s warmth and unity, while Hopper exposes its solitude. We will examine how their portrayals of color, class, and gender... 
by bartmann | Apr 4, 2024
Dante’s Purgatorio, as is well known, is not a standalone text; it is simply the second part of The Divine Comedy. In this course we will deal with Dante’s views on redemption and salvation as represented in his Purgatorio. Our focus will be the nature of sin: How it... 
by bartmann | Apr 4, 2024
“No person ever steps in the same river twice, for it’s not the same river and he/she is not the same person.” If this is the human condition according to Heraclitus, what remains permanent in the midst of change? This course will explore the twin themes of... 
by bartmann | Apr 4, 2024
In this course, we will focus on learning to read three of Faulkner’s most celebrated novels: The Sound and the Fury (1929), Light in August (1932), and Absalom, Absalom! (1936). “Learning to read,” means learning to analyze, interpret, and enjoy. We will ask... 
by bartmann | Apr 4, 2024
This seminar examines Virgil’s Aeneid as well as the pivotal and turbulent context that led to its creation. The course begins with an introduction to the political turmoil that encompassed the fall of the Roman Republic and Octavian’s rise to power as Augustus...
